Tag: camcorder

  • Sony Launches New NEX-VG30 and Full Frame NEX-VG900  Camcorders

    Sony Launches New NEX-VG30 and Full Frame NEX-VG900 Camcorders

    Sony has upped the camcorder game by announcing an upgrade to the NEX VG20 and a new lineup model the NEX VG900. The VG900 has a 24.3-megapixel full-frame sensor to a camcorder form factor with shallow depth-of-field and improved low-light sensitivity. The body of the camcorder is compatible with E-mount lenses, can shoot 14bit RAW images. The camcorder suited for high-end video production, where it offers 1080p recording at 24 or 60 frames-per-second through a sensor that features 45 times the area of a conventional camcorder.

    Also announced the NEX-VG30 is a successor to the VG20 has a 16.1-megapixel APS-C CMOS sensor. Both the NEX VG30 and VG900 include 270-degree swivel 921k-dot touch-enabled TruBlack LCDs and XGA OLED eye-level electronic viewfinders, along with Sony’s new Multi Interface Shoe and a standard shoe mount, which enables XLR microphone inputs through an optional accessory.

    The new Zoom adjustment on the cameras will allow for the powered zoom lens to work flawlessly with both of the models and will also alow fror cropping digital zoom on the VG900 since it has a full frame sensor. Priced at $3,299 without a lens, just a LA-EA3 mount adapter is included, The NEX VG900 seems like an expensive proposition.

    The VG30, will retail for $1,800 body only, or $2,700 when paired with Sony’s new 18-200mm f/3.5-5.6 OSS power zoom lens.

    The VG900 is slated to ship beginning in late October, while the VG30 will hit stores in November.

     

    [toggle_box title=”Press Release” width=”Width of toggle box”]

    SAN DIEGO, Sept. 11, 2012 – Today Sony Electronics unveiled the world’s first consumer 35mm full-frame interchangeable lens camcorder – the new NEX-VG900 Handycam® camcorder – for expressive, powerful imaging. Sony’s flagship model is joined by the NEX-VG30H which builds on the success of the NEX-VG20H model, sharing the same APS-C image sensor while adding several enhancements.

     

    “Our new interchangeable lens camcorder offerings allow demanding videomakers the control and flexibility they need to bring their creative vision to life,” said Hidenori Toyoda, director of the camcorder business at Sony Electronics. “We’re excited to deliver revolutionary products like our full-frame model to the consumer market for unparalleled quality and value.”

     

    NEX-VG900 Handycam® Camcorder

     

    Realizing supreme imaging quality and generous creative options, Sony’s NEX-VG900 is the first Handycam camcorder with a 35mm sensor to fully exploit the artistic potential of interchangeable lenses. With a resolution of 24.3 effective megapixels, the camcorder’s Exmor® CMOS sensor is around 40 times larger than its equivalent in standard consumer camcorders and more than twice the size of the APS-C sensor found in other interchangeable lens Handycam models. It captures full-frame, 24 megapixel still photos, with RAW format support for all the post-processing flexibility and quality expected from a pro-class DSLR camera. The sensor also allows the creation of distinctive ‘bokeh’ (defocus) effects; high sensitivity for extremely clear, low-noise images; and effortless reproduction of smooth, true tonal gradation.

     

    Beautiful, film-like results can be achieved by shooting video in 24p progressive mode with CinemaTone Gamma™ and CinemaTone Color™ presets to precisely control cinematic grading effects. Additionally, AVCHD™ version 2.0 standard 60p recording maximizes the range of creative options for movie-makers to explore. Even greater flexibility is provided by a choice of new Picture Effect modes, enabling easy creation of artistic ‘in-camera’ treatments. Whether you’re shooting HD video or stills, Picture Effects add a new level of expression to content. Modes like Posterization, which creates a high contrast abstract look by heavily emphasizing primary colors or black and white; Retro Photo, which creates the look of an aged photo with sepia color tones and faded contrast; Pop Color, which produces a vivid look by emphasizing color tones; and Partial Color, whichproduces stunning monochrome photos containing a single designated color (red, green, blue or yellow) are just a few of the effects that make ordinary images and scenes come to life. 

     

    A convenient seesaw lever allows slow, smooth zoom capability that is almost impossible to achieve when zooming manually, for added creative control and pro-quality imagery. Yielding impressive results, the lever adjusts optical zoom when using compatible E-mount lenses that feature a built-in zoom drive and controls electronic zoom when using the camcorder with fixed focal lenses. As an extra refinement, the NEX-VG900 camcorder switches automatically from full-frame operation to APS-C mode when an E-mount or A-mount DT lens is attached. This allows users to get the most out of their collection of lenses that are optimized for cameras with a smaller APS-C image sensor. The camcorder also comes supplied with the LA-EA3 adaptor that lets photographers use full-frame A-mount lenses at their designated focal length.

     

    Extensive manual settings and options combined with ergonomic refinements give videographers greater control and comfort. Aperture priority, shutter speed priority and manual exposure are all customizable while white balance can be adjusted to suit any scene. Similarly, iris, shutter speed, and gain adjustments can easily be made via direct access keys. And the camcorder’s pro-style display peaking function is complemented by a one-touch focus magnification button on top of the grip.

     

    Serious videomakers will welcome the premium XGA OLED Tru-Finder™ EVF that offers high-contrast image monitoring with superb color rendition. Even in the most challenging lighting situations, being able to view your footage with the Tru-finder EVF ensures you’re getting the best shots.Complementing the Tru-Finder EVF, an adjustable three-inch Xtra Fine LCD™ touch-panel monitor with LED backlightingoffers Sony’s unique technology for high contrast images with rich, deep blacks.

     

    Superior audio has always been a crucial part of the E-mount Handycam camcorder lineup. A unique Quad Capsule Spatial Array Microphone features four omnidirectional capsules that supports stereo or 5.1 channel surround. Recording levels are adjustable, with accurate visual confirmation provided by an audio level meter on the LCD display. There’s also a headphone jack for direct monitoring of sounds being recorded. The new Multi Interface Shoe provides compatibility with accessories including the optional XLR-K1M adaptor kit that adds a high-quality mono shotgun mic and two pro-standard XLR connections.

     

    Handycam® NEX-VG30H/VG30

     

    Sharing many of the pro-oriented enhancements of the NEX-VG900 camcorder, the Handycam® NEX-VG30H model succeeds the acclaimed NEX-VG20H camcorder. With a resolution of 16.1 effective megapixels, the new camcorder’s Exmor® APS HD CMOS sensor assures outstanding image quality with the family of interchangeable E-mount lenses. Like the NEX-VG900 camcorder, it can capture smooth, cinematic Full HD video footage at 60p, or 24p (progressive) frame rates and high-resolution still photos, supported by a wide range of artistic Picture Effect modes. It also features the same XGA OLED Tru-Finder™ EVF, comprehensive manual controls and the same seesaw style zoom lever as the NEX-VG900 model.

     

    The NEX-VG30H camcorder comes supplied as a kit with the new SELP-18200 E PZ 18-200mm F3.5-6.3 Power Zoom lens that provides a versatile range from wide angle to telephoto. Offering smooth, quiet Auto Focus operation and Optical SteadyShot™ image stabilization, the lens also features an additional switch on the barrel for further controlling zoom speeds.

     

    The new camcorders are compatible with Sony’s Memory Stick PRO-HG™ Duo HX series as well as Sony’s full line of SD memory cards. Available in capacities up to 32 GB, both media enable necessary transfer speeds for stable and optimal performance of Sony hardware features such as full HD movie shooting. 

     

    Pricing and Availability

     

    The Handycam NEX-VG900 35mm full-frame camcorder (body-only) with LA-EA3 adaptor will be available in November for about $3,300 and the NEX-VG30H Full HD E-mount system camcorder will also be available at that time for $2,700. A body-only version, the NEX-VG30 model, will be available for $1,800. These interchangeable lens camcorders and their accessories will be sold at Sony retail stores (www.store.sony.com) as well as other authorized retailers throughout the Sony dealer network. Follow #Handycam on Twitter for the latest Sony camcorder news.

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  • Sony announces NEX-EA50EH pro camcorder in India

    Sony announces NEX-EA50EH pro camcorder in India

    Sony has announced that the NEX-EA50EH will be coming to India, It has a APS-C Exmor CMOS sensor seen in the NEX lineup of cameras. The biggest difference in this camera has to be the powered zoom lens with a rocker style zoom, the  SEL18-200PZ 11x is an E mount so should be easily compatible with most NEX cameras. The lens packs variable isis, auto focus and “Optical Steady Shot” active image stabilization. The camera has the ability to shoot 16mp RAW images, thanks to a mechanical shutter with its own release button and a flash hot-shoe which is all pre-equipped on the camcorder. Video capture up to 60fps at 1080P in AVCHD 2.0, 28 or 17 Mbps, to SD/SDHC/SDXCcards, Sony Memory Sticks or Sony’s dedicated external SSD unit, which attaches to the camera.

    Although no price has been announced for the Indian counterpart, the US version ships in October for US $ 4500 (IN Rs. 2,50,000 approx) , and should reach India by November boasting a similar price.

    • Includes 18-200mm Servo Zoom Lens
    • Records Full HD 1080p up to 60 fps
    • Exmor APS-C CMOS Sensor
    • Lossless Digital Zoom Effect
    • Accepts E-mount Lenses
    • Two XLR Audio Inputs
    • SD/MS Memory Card Slot
    • FMU Slot for Flash Memory Unit
    • Still Photographs at 16 Megapixels
    • Hot Shoe for Traditional Flash Units

     

    [toggle_box title=”Press Release” width=”Width of toggle box”]

    Sony expands NXCAM range with an affordable and versatile interchangeable lens camcorder

     

    The new NEX-EA50EH offers creative, high quality images for a range of applications, featuring a large format sensor, E-mount lens system and a new form factor

     

    Basingstoke, UK, August 17th, 2012: Sony is pleased to unveil the latest addition to the professional NXCAM range of camcorders, the NEX-EA50EH. This versatile new camcorder offers the ultimate flexibility in lens selection thanks to its interchangeable E-mount lens system.

     

    The large format Exmor APS HD CMOS sensor gives the user creative freedom when shooting Full HD movies and high-quality still photos. The new form factor enables users to shoot in a way that suits them best, allowing them to switch quickly between handheld and shoulder configuration without the need for additional accessories.

     

    “This all-in-one camcorder brings a new level of creativity to a wider range of professional users than ever before,” said Bill Drummond, Sony Europe. “It combines affordability and high performance with a range of versatile, professional features for many applications, including event production, budget movie making and corporate production.”
    The Exmor APS HD CMOS sensor produces high quality, creative movie images with low noise and high sensitivity in low light conditions. It also enables 1080 progressive and interlace recording with 60/50Hz selection (50p/25p/50i or 60p/30p/24p/60i)*.

     

    By capturing 16.1 megapixel still pictures with higher picture quality and rich post-processing capabilities. In addition, the NEX-EA50EH has a built-in mechanical shutter to realize high-speed shutter while capturing still pictures.

     

    The NEX-EA50EH incorporates the Sony E-mount interchangeable lens system, which enables auto focus, auto exposure and stabilisation during shooting. With its short flange back distance, it is possible to attach both established A-mount lenses via the LA-EA2 lens mount adapter, and an unrivalled choice of other brands lenses using third-party adapters.
    The unique design of the NEX-EA50EH further adds to the camcorders versatility. When the shoulder pad is extended, the camcorder can be balanced on the shoulder giving added stability for longer shooting times. Alternatively, when the shoulder pad is returned to the original position, the camcorder becomes compact enough to use in various handheld styles allowing users to capture a wide variety of shots.

     

    The NEX-EA50EH camcorder comes with the newly developed Power Zoom E-mount lens E PZ 18-200mm F3.5-6.3 OSS SELP18200. It features auto focus, continuous variable iris and Optical Steady Shot image stabilisation with Active Mode, making it ideal for shooting moving images. It is electronically controlled by both the zoom rocker lever on the camcorder grip and top handle. Film-makers can achieve a constant zoom speed and smooth, slow zoom, both of which can be difficult to accomplish with manual zoom lenses. In addition, using fixed focal length lenses users can simulate a zoom effect using the smart digital zoom function, ensuring fast-paced shots are never missed.

     

    The NEX-EA50EH features a range of professional functions usually associated with NXCAM camcorders, such as 2-channel XLR audio (the ECM-XM1 Shotgun microphone is included with the NEX-EA50H), Linear PCM audio, time code, user bit and built-in GPS. In addition, Sony’s HXR-FMU128 flash memory unit can dock directly to the camcorder for simultaneous backup recording. The camcorder is compatible with the new Mirroring Memory Stick (MS-PX64/32/16) which is the world’s first memory card featuring a “Mirroring” function. This enables the card to deliver high reliability and data security through a dual recording (mirroring) function. This new professional memory card will be available in 3 different capacities: 16GB; 32GB and 64GB.

     

    The NEX-EA50EH will be available from Sony Professional Solutions Specialists in October 2012.
    For more information on the PX Series, please visit:
    http://www.sony.net/Products/memorycard/en_eu/px/index.html.

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  • Canon launches full frame C300 cinema camera

    Canon launches full frame C300 cinema camera

    If you wanted to be a movies man and had a chunk of US$20000 to spend where, would you go? Look no further , Cannon has launched the new C300 Cinema camera to take on the likes of RED Epic and Alexa. The camera features EF or PL mount, 1080p capture, a pair of CF card slots, timecode and HD-SDI output.

    It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with Canon’s new “top-end” EF zoom lenses : two 14.5-60mm lenses and two 30-300mm.with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens. Read the press release below for the full low down.

     

    [toggle title_open=”Press Release” title_closed=”Press Release” hide=”yes” border=”yes” style=”default” excerpt_length=”0″ read_more_text=”Read More” read_less_text=”Read Less” include_excerpt_html=”no”]A Star Is Born: Canon Launches New Digital Cinema Camera For High-Resolution Motion Picture Production

    HOLLYWOOD, California, November 3, 2011/TOKYO, November 4, 2011 – Canon Inc. and Canon U.S.A., Inc. today raised the curtain on an all-new interchangeable-lens digital cinema camera that combines exceptional imaging performance with outstanding mobility and expandability to meet the demanding production needs of today’s motion picture industry. The camera, which features a newly developed Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor, will be available in two models: the EOS C300 Digital Cinema Camera*, equipped with an EF lens mount for compatibility with Canon’s current diverse lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras and new EF Cinema Lens lineup; and the EOS C300 PL Digital Cinema Camera*, with a PL lens mount for use with industry-standard PL lenses.

    The introduction of the EOS C300/C300 PL coincides with the launch of the Cinema EOS System, marking Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital cinema camera and digital SLR camera product categories.

    Star-Studded Supporting Cast
    Equipped with an EF lens mount, the EOS C300 is supported by an all-star cast of high-performance EF lenses, not only the wide array of interchangeable EF lenses for EOS SLR cameras that have earned the trust and respect of photographers around the world, but also the EF cinema lenses in the newly announced Cinema EOS System. When outfitted with a Canon EF lens, the C300’s peripheral illumination correction automatically corrects for vignetting in accordance with each lens’s optical characteristics, and enables iris control from the camera. Canon EF lenses also enable the recording of such metadata as the name of the lens used, aperture setting and shutter speed.i

    Show-Stopping High-Resolution Full-HD Performance
    The Canon EOS C300/C300 PL’s newly developed Super 35 mm-equivalent CMOS sensor incorporates approximately 8.29 million effective pixels and has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The sensor reads Full HD (1920 x 1080 pixels) video signals for each of the three RGB primary colors, decreasing the incidence of moiré while realizing high resolution with 1,000 horizontal TV lines.

    Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted. Additionally, the powerful combination of the sensor with Canon’s high-performance DIGIC DV III image processor facilitates high-precision gamma processing and smooth gradation expression.

    In addition to MPEG-2 Full HD (MPEG2 422@HL compliant) compression, the EOS C300/C300 PL employs 4:2:2 color sampling for high-resolution performance that minimizes the appearance of “jaggies” at chroma edges. Additionally, with a maximum recording rate of 50 Mbps, the camera supports the recording of high-quality video.

    The camera’s video and audio recording file format adopts the industry-standard MXF (Material eXchange Format), an open source file format ideally suited for non-linear editing systems. Recording to versatile, readily available CF cards, the EOS C300/C300 PL realizes high cost-performance and, equipped with two CF card slots, makes possible the simultaneous recording of video data to two CF cards.

    Ready for Action
    With a compact body design measuring 5.2 (w) x 7.0 (h) x 6.7 (d) inches, the Canon EOS C300/C300 PL delivers exceptional maneuverability, enabling shooting from vantage points all but inaccessible to large cinema cameras, such as close to the ground for high-impact low-angle shots, and alongside walls. In accordance with on-location shooting needs, the camera can be outfitted with a handle, grip, thumb rest and monitor unit, and offers an array of industry-standard terminals, including HD/SD-SDI video output for the external recording of high-quality video content. When using a WFT-E6B wireless file transmitter for EOS digital SLR cameras (sold separately), the EOS C300/C300 PL can be controlled remotely by means of such common devices as smartphones or tablet PCs.

    The camera is equipped with four start/stop buttons positioned at various locations to satisfy any preferred camera-holding style, and can be outfitted with a variety of third-party accessories, including matte boxes, follow focuses and external video and audio recorders. The unit also achieves seamless integration with third-party editing systems and provides added peace of mind through its dust-proof, drip-proof construction and built-in cooling system.

    The new camera allows users to adjust image quality to match that of professional camcorders and EOS-series digital SLR cameras, and offers Canon Log Gamma, enabling flat image quality with subdued contrast and sharpness for maximum freedom in post-production editing and processing. In addition to frame rates of 59.41i, 50.00i, 29.97P, 25.00P and 23.98P, the EOS C300/C300 PL features a 24.00p mode, matching the 24 frame-per-second frame rate of film cameras for high compatibility with common film-production workflows.

    Other features include fast-motion shooting, achieved by capturing fewer frames per second to create action up to 60x normal speed, and slow-motion down to 1/2.5xii made possible by capturing more frames per second. Frame rates between 1 and 60 frames per second (fps)iii can be adjusted in increments of 1 fps. Additionally, a selection of Custom Pictures lets users freely adjust image quality for greater control over how content looks.

    Pricing and availability
    The Canon EOS C300 (EF mount) digital cinema camera is scheduled to be available in late January 2012 for an estimated list price of $20,000. The Canon EOS C300 PL (PL mount) digital cinema camera is scheduled to be available in late March 2012 for an estimated list price of $20,000.

    For more information and to view online demonstration footage of the new products please visit: www.canoncinemaeos.com

    About Canon Inc.
    Canon Inc. (NYSE: CAJ), headquartered in Tokyo, Japan, is a leader in the fields of professional and consumer imaging equipment and information systems. Canon’s extensive range of products includes copying machines, inkjet and laser printers, cameras, video equipment, medical equipment and semiconductor-manufacturing equipment. Originally established in 1937 as Precision Optical Industry, Co., Ltd., a camera manufacturer, Canon has successfully diversified and globalized to become a worldwide industry leader in professional and consumer imaging systems and solutions. With over 195,000 employees worldwide, Canon has manufacturing and marketing subsidiaries in Japan, the Americas, Europe, Asia and Oceania; and a global R&D network with companies based in the United States, Europe, Asia and Australia. Canon’s consolidated net sales for fiscal 2010 (ended December 31, 2010) totalled $45.8 billion (at an exchange rate of ¥81 = US$1). Visit the Canon Inc. website at: www.canon.com

    About Canon U.S.A., Inc.
    Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With more than $45 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks fourth overall in patent holdings in the U.S. in 2010†, and is one of Fortune Magazine’s World’s Most Admired Companies in 2011. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.[/toggle]

  • JVC’s GS-TD1 3D Camcorder now shipping in the US

    JVC’s GS-TD1 3D Camcorder now shipping in the US

    JVC in January had announced the worlds first consumer based 3D camcorder, and to keep its word hass announced that it will be shipping its Camcorder in the US starting today. The price is a considerably high US $1700 (INR 85,000/-). The device is set to be shipping worldwide by Q2 2011.

    Specs

    • 3.32 megapixel CMOS sensor
    • 3D video at 1080i
    • 5x optical zoom
    • 10x zoom in 2D mode
    • 64GB of built-in flash memory
    • SDXC card slot for expansion
    • 3.5-inch LCD glasses free 3d Viewer

    Full Press

    JVC First To Offer Full HD 3D Consumer Camcorder

    WAYNE, N.J.–(BUSINESS WIRE)–JVC today announced the availability of the first camcorder on the consumer market that offers 3D video recording in Full High Definition. The new JVC GS-TD1 uses two camera lenses and two imaging sensors – one for each lens – to capture three-dimensional images in the same way that human eyes work.

    Video shot using the GS-TD1 can be viewed in 3D on any 3D TV. Additionally, the camcorder shoots 3D video that can be burned to a Blu-ray disc or DVD-R for 3D playback on a compatible Blu-ray player.

    The JVC GS-TD1 features two 3.32 megapixel CMOS sensors and a new JVC-developed high-speed imaging engine that processes the two Full HD images – left and right images at 1920 x 1080i resolution. Three shooting modes are offered, a feature that provides several options for HD resolution and archiving of 3D footage. These three shooting modes are: a new “LR Independent” format (MP4 MVC) that records in Full HD, the widely used “Side-by-Side” format (960 x 1080 X 2) for AVCHD 3D recording, and 2D AVCHD shooting.

    The camcorder uses an F1.2 JVC 3D Twin HD GT lens with extra-low-dispersion glass for crisp, high-contrast images, as well as multiple aspherical lenses. The combination of the fast lens and back-illuminated CMOS sensors provides the GS-TD1 with outstanding low light performance.

    Additional highlights include 64GB of built-in flash memory, SDXC card slot, 3D optical 5x zoom, Optical Axis Automatic Stabilization System for disparity control to give depth to 3D images, and Automatic Parallax Adjustment to optimize the 3D-video comfort zone. It also features a 3.5″ 3D touch panel LCD monitor that displays 3D images without any need for 3D glasses, making it easy to check 3D images while shooting and watch 3D playback in the field.

    The GS-TD1 comes with new Everio MediaBrowser 3D software (for Windows®) for full management, editing and sharing of content.

    Options for archiving and playing back 3D recordings depend on the shooting mode used:

    * Full HD 3D video, shot using the MP4 MVC mode, can be archived to a computer hard drive or Blu-ray disc drive. This Full HD material can be played back in 3D by running the footage back through the camcorder;
    * AVCHD 3D (Side-by-Side mode) video can be burned to a DVD-R disc and played back in 3D on any AVCHD-compatible Blu-ray player – including non-3D AVCHD-compatible Blu-ray players – when the disc was created with a PC or JVC Share Station.

    The JVC GZ-TD1 Full HD 3D camcorder is available now for $1,699.95. For images and multimedia content, visit http://pitch.pe/127916.

    About JVC U.S.A.

    JVC U.S.A., headquartered in Wayne, New Jersey, is a division of JVC Americas Corp., a wholly-owned subsidiary of Victor Company of Japan Ltd. JVC distributes a complete line of video and audio equipment, including high definition displays, camcorders, home and portable audio and video equipment, and mobile entertainment products. For further product information, visit JVC’s website at or call 1-800-526-5308.

    Microsoft® and Windows® are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. The SD and SDHC logos are trademarks of the SD Card Association. All brand names are trademarks, registered trademarks, or trade names of their respective holders.

    Except for the historical information contained herein, this news release contains forward-looking statements. These involve risks and uncertainties that could cause actual results to vary or differ materially from those projected.

     

  • Sony launches new Handycam Models in India, Brings full HD aplenty

    Sony launches new Handycam Models in India, Brings full HD aplenty

    Sony has just dropped a new Handycam, Full HD camcorder in the Indian market , Features include:-

     

    • “Exmor R” CMOS Sensor
    • Carl Zeiss® 25x Optical Zoom Lens
    • SteadyShot (Active Mode)
    • 2.7 (6.9 cm) Slim LCD with wide viewing angle
    • iAuto and Quick Autofocus
    • DVDirect Express and Direct Copy

    Priced at 24,990 its available now.

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