Tag: DSLR

  • Your Canon Camera may cause an allergic reaction!

    Your Canon Camera may cause an allergic reaction!

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    Canon has just released a statement saying the front rubber grips of some Canon T4i DSLR cameras may cause an allergic reaction. The grips could also turn white after a short period of time, which combined with the possibility of allergies, can cause big problems for users. 

    According to Cannon’s statement, the front rubber grips of some EOS REBEL T4i units produced in certain lots during the sixteen-day period between May 31st through June 15th, 2012 may turn white after a short period of time due to the presence of the substance zinc bis (N,N’-dimethyldithiocarbamate) is what causes the rubber surface to turn white.  the quantity of rubber accelerator used in the affected production lots was slightly higher than usual.

    Zinc bis is what can cause allergic skin reactions. To find out if your T4i is affected, you’ll have to plug in your serial number into Canon’s website. You’ll only need to do this if the sixth digit of the serial number is “1”. 

  • Pentax Launches new K-30 Weather-sealed DSLR (PR)

    Pentax Launches new K-30 Weather-sealed DSLR (PR)

    Pentax has today announced a new Weather sealed K-30 DSLR  with a 16 MP APS-C CMOS sensor with an ISO range that extends up to ISO 12800 (expandable to ISO 25600). The camera body is both resistant to rain as well as to dust and temperature extremes.

    According to Pentax this is one of the cheapest cameras to offer those features. The camera also features a 3-inch TFT LCD display with a resolution of 921,000 dots.

    The K-30 is also capable of shooting 1080p video at 30, 25, or 24 frames per second, or 60 fps at 720p.

    Available in black, white, and blue, the K-30 will go on sale in July. The body  will be priced at $849.95 (Rs. 47,000) , while a $899.95 ( Rs. 50,000) kit will be available with a 18-55mm zoom lens.

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    PENTAX Introduces New K-30 Digital SLR Camera

    Featuring weather resistant capabilities, new mid-level DSLR is the perfect creative companion for active travel and outdoor photographers

    Denver, CO (May 21, 2012) – PENTAX RICOH IMAGING AMERICAS CORPORATION today announces the introduction of its new weather and dust resistant digital SLR camera – the PENTAX K-30. Ideal for photographers with active outdoor lifestyles, the new PENTAX K-30 combines a compact, lightweight body with many advanced features found only in higher end DSLR camera models, such as a weather, dust and cold resistant body, a glass prism optical finder with 100% field of view, state-of-the-art autofocusing, and full HD video recording capabilities.

    “No detail was overlooked when designing the dynamic new K-30 to be weather resistant,” explains John Carlson, Sr. Manager of Sales and Marketing, PENTAX. “Every seam, every button, every hinge has been weather sealed for adventure-proof creative photography. Whether enjoying outdoor activities such as hiking in the Rocky Mountains or on vacation cruising along on the Maid of the Mist at Niagara Falls, photographers can stop worrying about weather conditions and start focusing on capturing the perfect shot.”

    In addition to its versatile weather-proof capabilities, the new K-30 offers features including high-speed burst shooting at a maximum speed of six images per second, a high-speed shutter unit with a top speed of 1/6000 second, and convenient dual electronic dials for quick, fingertip access to exposure control and several Auto Picture and scene modes. Coupled with an ergonomic grip that provides firm, comfortable control of the camera, and a sporty, functional design, the K-30 assures dependable, flawless performance in the field. The new K-30 is available in three body colors: Crystal White and Crystal Blue, with brilliant, glossy finishes reminiscent of the finish of an exclusive sports car; and Black, for a traditional SLR look. It is also compatible with all PENTAX K-mount lenses.

    The new PENTAX K-30 will be available at retail outlets nationwide and online in July 2012 with a suggested retail price of $849.95 for body only, and $899.95 for the kit including the DA L 18-55mm zoom lens.

    PENTAX Introduces smc DA 50mm f/1.8 Medium-Telephoto Lens

    Compact, lightweight autofocus lens designed exclusively for PENTAX K-Mount interchangeable-lens digital cameras

    Denver, CO (May 21, 2012) – PENTAX RICOH IMAGING AMERICAS CORPORATION today announces the introduction of its new smc PENTAX-DA 50mm f/1.8 medium-telephoto autofocus lens, which is designed exclusively for use with the company’s K-mount interchangeable-lens (ILC) digital cameras. Thanks to state-of-the-art optical design technology from PENTAX, the lens’ image coverage is optimized for PENTAX K-mount ILC cameras to deliver sharp, clear images from edge to edge. With a sleek, modern look and a lightweight body, the new PENTAX-DA 50mm f/1.8 lens was designed with versatility and flexibility in mind and is ideal for photographers of varying levels, from amateurs to professionals.

    The PENTAX-DA 50mm f/1.8 lens will be available July 2012 with a retail price of $249.95.

     

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  • Sony Releases Alpha A57 translucent mirror camera with a 12fps snapper (PR)

    Sony Releases Alpha A57 translucent mirror camera with a 12fps snapper (PR)

    Sony has upgraded their Alpha A55 translucent mirror camera, to the new Alpa A57 translucent mirror camera. The new DSLR has a higher ISO to 16000 and a faster shooting capability of 12fps compared to the 10fps on the A55. Other features include a 15-point autofocus system, including enhanced object-tracking and quick AF in Full HD.

    The A57 is equipped with the same 16-megapixel APS HD CMOS sensor from the past and also features a 1920 x 1080 video capability at 60p, 60i and 24p/25p. Bionz imaging engine along with a bunch of new added effects and image tweaks are also on board the new chipset. The LCD is a swivel down type with a 921,600-dot resolution. 

    Price is kept at $699 (INR 35,000 approx) for Body only and $799 kit (INR 40,000) with an 18-55mm lens.

     

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    Sony Brings Pro-level Performance to Mainstream SLR Users with New High-Speed ?57 Camera Featuring Translucent Mirror Technology
    Advanced Feature Set Includes 12 fps Shooting, Full HD (60p) Video Capture, New Auto Portrait Framing and more

    SAN DIEGO, March 12, 2012 — A wider palette of creative options is now accessible to more shooters with the ?57 camera, the newest addition to Sony’s popular line of A-mount cameras employing Translucent Mirror Technology.

    The innovative Translucent Mirror design directs incoming light to the CMOS image sensor and the AF sensor at the same time, allowing full-time continuous AF during both still and video shooting. Users can also frame, focus and preview shots in real-time on the high-resolution Tru-Finder™ electronic viewfinder, which offers a wide viewing angle and 100% field of view. This allows photographers to capture exactly what they see on the screen.

    A natural successor to Sony’s acclaimed ?55 camera, the ?57 is positioned for a wide audience of DSLR users. It can shoot still images at up to 12 frames per second, capture full HD video at 60p, 60i or 24p frame rates and has a variety of creative modes including Auto Portrait Framing, a world’s first technology

    “Today’s DSLR consumer is looking for a higher level of control and flexibility in their camera,” said Mike Kahn, director of the Alpha camera business group for Sony Electronics. “With the introduction of the new ?57, we’re bringing blazing fast response rates, enhanced artistic capabilities and other advanced features to the mainstream DSLR marketplace, offering professional-grade performance at affordable prices.”

    With the ?57 camera, shooting speeds of up to 12 frames per second are achieved in new Tele-zoom Continuous Advance Priority AE mode, maintaining continuous auto focus and auto exposure with fixed aperture. Magnifying the central portion of the sensor’s image by 1.4x, it’s perfect for capturing split-second action close-ups with a burst of sharply focused images, even when the subject is moving. In this shooting mode, aperture is fixed at either f/3.5 or the maximum aperture of lens in use (whichever is smaller) and image size of photos is about 8.4 megapixels.

    Additionally, the ?57 camera lets people create powerfully expressive Full HD movies. Responsive full-time continuous phase detection AF ensures that moving subjects stay sharply focused, just like with still shooting. Support for the AVCHD™ Ver. 2.0 (Progressive) format means that Full HD resolution movies can be captured with 60p frame rate: ideal for capturing smooth, blur-free action. Shooting in 24p is also available to give footage a rich, cinematic look. Movie-making options are enhanced further with full control over P/A/S/M shooting modes for virtually limitless creative expression.

    The ?57 model shares the ?65’s 15-point AF system with three cross sensors delivering fast, accurate TTL phase detection autofocus. Newly enhanced Object Tracking AF keeps faces or other selected objects in sharp focus – even if a target is obscured momentarily by another passing object.

    Even the novice photographers can now easily create pro-style portraits with the ?57 thanks to new Auto Portrait Framing, a world’s first technology. Using face detection and the compositional ‘rule of thirds,’ the camera identifies a subject’s position, trimming the scene to create tightly framed, professional-looking pictures in portrait or landscape orientation while maintaining a copy of the original image. Saving both the original photo plus the adjusted version allows for easy comparison between the two images, offering photographers inspiration to refine their portrait skills.

    To get closer to the subject, 2x Clear Image Zoom digital zoom technology doubles the effective magnification of your lens and is a highly practical alternative to travelling with a bigger, bulkier telephoto lens. The camera uses Sony’s “By Pixel Super Resolution Technology” to ensure that cropped and zoomed images retain full pixel resolution.

    Additionally, the model’s range of popular in-camera Picture Effect modes includes 11 different effects and 15 total variations – offering a generous palette of ‘PC-free’ artistic treatments, including Pop Color, HDR Painting, Miniature Mode and much more. Results can be previewed directly in live view mode on the LCD screen or in the new Tru-Finder™ electronic viewfinder while shooting either Full HD video or stills.

    Still and video shooting, framing, focusing and real-time preview of exposure adjustments are a pleasure with the new Tru-Finder™ electronic viewfinder. With ultra-detailed 1440k dot resolution and a 100% field of view, it rivals quality optical viewfinders. There’s a choice of selectable high-resolution information displays with a wide viewing-angle to help consumers shoot with confidence, including a digital level gauge and framing grid. Information can be displayed either directly in the viewfinder or on the angle-adjustable 7.5 cm (3.0-type) Xtra Fine LCD™ display.

    Ensuring detail-packed images, the 16.1 effective megapixel Exmor® APS HD CMOS sensor is teamed with a latest-generation BIONZ® engine. Refined by Sony during the development of its flagship ?77 and high-end ?65 cameras, this powerful processor effortlessly handles large amounts of image data for flawless, low-noise images and Full HD video.

    Thanks to the BIONZ processor, creative shooting opportunities are boosted by an outstanding sensitivity range of ISO 100-16,000. Users will experience consistently natural, low-noise images – whether shooting at fast shutter speeds to freeze dynamic action or handheld without flash in low light.

    Pricing and Availability
    The new ?57 interchangeable lens camera will be available this April with an 18-55mm kit zoom lens for $800 (model SLT-A57K). It will also be offered as body-only for about $700 (model SLT-A57).

    Sony will also be introducing a new battery-powered LED video light, model HVL-LE1, which broadens options for recording video indoors or in low light. This new accessory will be available this month for about $250.

    The camera, camera kit and a wide variety of Alpha accessories are sold at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.

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  • Canon announces EOS 5D Mark III: 22.3 MP full-frame sensor,102,400 max ISO, 1080/30p HD Video (PR)

    Canon announces EOS 5D Mark III: 22.3 MP full-frame sensor,102,400 max ISO, 1080/30p HD Video (PR)

    On the 25th year anniversary of the first EOS SLR Canon has launched the new EOS 5D Mark III, a successor to its popular 5D Series. Not only does the 5D have a large 22.3 MP Sensor it also marks key changes in the over all functionality of the SLR Camera. Canon has also launched a whole series of add ons for the camera to complete the accessory kit. 

    New specs include a larger 1,040,000-dot 3.2-inch rear LCD, Digic 5+ processor, 22.3-megapixel CMOS sensor, 61-Point High Density Reticular autofocus with 41 cross-types, dual memory card slots (SD and CompactFlash) an extended ISO range of 50 to 102,400 (100 to 25,600, natively), OVF with 100 percent coverage (98 previously), and a maximum 6 FPS burst speed.

    5D MII will capture h.264 footage at HD resolutions up to 1080 at 24/25/30p or 720 at 50/60p, with an effective ISO range of 100-128,000, for audio you have an inbuilt mic or stereo mic input. 

    The camera will be available by the end of March, priced at $3,500 for the body-only and $4,300 as kit with an EF24-105mm f/4L IS USM zoom lens. For accessories you will need to wait till April and pay $390 for the GP-E2 GPS receiver, $850 for the WFT-E7A Wireless Transmitter, and $490 for BG-E11 Battery Grip (dual battery and weather resistant)

    Read the rather large and extensive Press Release below if you are in search for more info.

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    CANON U.S.A. ANNOUNCES THE HIGHLY ANTICIPATED EOS 5D MARK III DIGITAL SLR CAMERA

    Featuring Improved Image Quality, a 61-Point High Density Reticular AF, Six fps High-Speed
    Continuous Shooting and Enhanced HD Video Recording Features

    LAKE SUCCESS, N.Y., March 2, 2012– On the 25th anniversary of its world-renowned EOS System, Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce its latest model, the new EOS 5D Mark III Digital SLR Camera. Positioned between the extremely popular EOS 5D Mark II and Canon’s top-of-the-line professional EOS-1D X model, the EOS 5D Mark III delivers superb image quality, thanks to a new 22.3-megapixel full-frame Canon CMOS sensor, a high-performance DIGIC 5+ Imaging Processor, a 61-point High Density Reticular Autofocus (AF) System and six frames-per-second (fps) continuous shooting speed. Building upon the trailblazing success of the EOS 5D Mark II, the EOS 5D Mark III also incorporates enhanced video features for professionals in the fields of cinematography, television production and documentary filmmaking, including better noise reduction, longer recording times and a built-in headphone jack for audio monitoring. The EOS 5D Mark III is Canon’s answer to hundreds of thousands of advanced amateurs and emerging professionals looking for a compact, high-quality camera system to help them achieve their artistic vision, whether it be through still or video imagery. The EOS 5D Mark III introduction coincides with Canon’s 25th anniversary celebration of the EOS camera system. Canon’s award-winning EOS system first debuted in March of 1987 with the introduction of the EOS 650 SLR camera and three EF lenses.

    “We are extremely excited to announce the highly anticipated follow-up to our EOS 5D Mark II, a camera which has been called a ‘game-changer’ in most professional photography and videography circles. The EOS 5D Mark III will carry on that tradition, delivering better and more advanced features, helping our customers achieve excellent image quality for stills and video,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.

    The EOS 5D Mark III inherits many features from Canon’s recently announced flagship DSLR, the EOS- 1D X, including a DIGIC 5+ Imaging Processor and a high-performance 61-point High Density Reticular AF array with up to 41 cross-type points and five dual cross-type points available, depending on the lens in use.

    The enhanced processing power enables fast continuous shooting of up to six fps, exceeding the speed of the EOS 5D Mark II model by more than 50 percent, and with improved weather resistance the EOS 5D Mark III is a serious option for sports and wildlife photographers.

    EOS 5D Mark III Video: The Legacy Continues
    The EOS 5D Mark II blazed the trail for EOS cameras and Canon to enter the professional video and cinema markets, paving the way for Canon’s recent introduction of the Cinema EOS system of cameras and lenses. Now, the EOS 5D Mark III continues Canon’s commitment to these new markets with new and requested features from cinematographers, television production professionals and independent filmmakers. This new model captures 1080p Full HD video at 24p (23.976), 25p, and 30p (29.97) fps; 720p HD recording at 60 (59.94) and 50 fps; and SD recording at 30 (29.97) and 25 fps, giving cinematographers and videographers more flexibility and options for video capture.

    The EOS 5D Mark III includes new H.264 video compression formats to simplify and speed up post-production work: intraframe (ALL-I) compression for an editing-friendly format and interframe (IPB) compression for superior data storage efficiency, giving professionals options to help achieve their ideal workflow. Like the EOS-1D X, the 5D Mark III also includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing video footage from multiple cameras and separate audio recordings to be synced together in post production.

    The new full-frame CMOS sensor and DIGIC 5+ processor have enhanced the camera’s image processing performance over the 5D Mark II, significantly reducing moiré and color artifacts in scenes with horizontal lines. The video footage produced will exhibit less moiré than seen in previous DSLR models, resulting in a significant improvement in HD video quality. Accommodating documentary filmmakers, and event videographers using EOS DSLR cameras, the 5D Mark III includes the ability to record video continuously up to 29 minutes and 59 seconds across multiple 4GB files. Long-form filmmakers will enjoy the camera’s automatic file splitting in combination with the extended memory capacity offered by dual card slots.

    The Canon EOS 5D Mark III also includes manual audio level control with 64 levels, adjustable both before and during movie recording. There is also an automatic audio level setting, or sound recording can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input. Notably, the EOS 5D Mark III is the first EOS Digital SLR to feature a built-in headphone jack for real-time audio monitoring during video capture.

    Newly Developed Canon CMOS Sensor
    With its completely new 22.3-megapixel full-frame Canon CMOS image sensor, the EOS 5D Mark III becomes the highest resolution Canon Digital SLR released to date. It is eminently suitable for a wide variety of assignments including weddings and portraits, nature and wildlife, travel and landscapes as well as commercial and industrial photography. With a gapless microlens design, a new photodiode structure and improved on-chip noise reduction, the new sensor achieves higher sensitivity and lower noise levels for both RAW image data as well as in-camera JPEGs and EOS Movies compared to the 5D Mark II. The result is outstanding image quality in all shooting conditions, even low light. An eight-channel readout doubles the speed of image data throughput from the sensor to the DIGIC 5+ processor, resulting in better video image quality as well as six fps for still photos.

    The low-light capability of the EOS 5D Mark III is evident in its incredible ISO range and image quality in poor lighting conditions. Adjustable from ISO 100 to 25,600 within its standard range, the new model also offers a low ISO 50 setting for studio and landscape photography and two extended ISO settings of 51,200 and 102,400, well suited for law enforcement, government or forensic field applications.

    The new 5D Mark III is also equipped with Canon’s EOS Integrated Cleaning System, featuring a Self Cleaning Sensor Unit with a fluorine coating that repels dust and dirt particles.

    Canon-Exclusive DIGIC 5+ Imaging Processor
    The EOS 5D Mark III’s new DIGIC 5+ Imaging Processor is 17 times faster than the DIGIC 4.The EOS 5D Mark III uses that extra speed not only for improved image quality, but also to add no less than nine new features that do not exist on the 5D Mark II. These new features include six fps continuous shooting, HDR and Multiple Exposure modes, in-camera RAW processing, a comparative playback function, Scene Intelligent Auto mode, two forms of movie compression, and support for high-speed UDMA 7 Compact Flash memory cards.

    Another extremely valuable feature enhanced by the DIGIC 5+ Imaging Processor is the EOS 5D Mark III’s choice of reduced resolution M-RAW (10.5 megapixel) and S-RAW (5.5 megapixel) recording modes. These settings are particularly useful to wedding photographers for candid photos that do not require the EOS 5D Mark III’s 22 megapixel full resolution, because they take up less space on the memory cards and speed up post-processing without losing the critical benefits of RAW image data, such as highlight and shadow control as well as white balance adjustment. M-RAW and S-RAW also preserve the full field of view rather than cropping the image or resorting to JPEG mode to reduce resolution.

    High-Performance 61-Point High Density Reticular AF
    For still photographers, Canon has included its new 61-point High Density Reticular AF System, originally introduced with the top-of-the-line EOS-1D X professional camera. A significant advancement over previous 5D-series AF systems, the new 61-Point High Density Reticular AF included in the EOS 5D Mark III is the most sophisticated SLR AF system Canon has ever released. All 61 points are manually selectable and sensitive to horizontal contrast with maximum apertures larger than or equal to f/5.6. The camera’s twenty one focusing points in the central area are also standard precision cross-type and effective with maximum apertures larger than or equal to f/5.6. The center five points are ultra-high-precision diagonal cross-type points for maximum apertures larger than or equal to f/2.8. The 20 outer focusing points function as high- precision cross-type points with maximum apertures larger than or equal to f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low-light sensitivity to EV -2, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)

    All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models). A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.

    The EOS 5D Mark III uses the same high-performance AI Servo III AF tracking algorithm as the flagship EOS-1D X professional DSLR. This new feature works together with the 61-point High Density Reticular AF system to provide superb tracking performance that blends very well with the new camera’s 6 frames-per-second high-speed continuous shooting capabilities.

    Similar to the AF point selection options offered in the EOS 7D and EOS-1D X camera models, the EOS 5D Mark III offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection.

    iFCL Metering
    Complementing the EOS 5D Mark III camera’s 61-point AF system is Canon’s 63-zone iFCL dual layer metering system. The ‘FCL’ stands for ‘Focus, Color and Luminance,’ and references the fact that the metering system not only measures color and luminance data, but also analyzes the data provided by each point of the AF system. Canon’s iFCL metering keeps exposure levels stable from shot to shot, even as the light source changes. The camera’s autofocus information is also used to help determine which area of the scene is of greatest importance in determining exposure.

    HDR Mode
    The EOS 5D Mark III camera features a built-in HDR mode, merging three images at various exposure levels into a single image, in-camera, for stunning photographs of landscapes and architecture with enhanced tonal gradation beyond the range of the naked eye. The exposure levels in the camera’s HDR mode can be set to cover a range of up to ±3 stops, in a choice of five settings: Natural, Art Standard, Art Vivid, Art Bold and Art Embossed providing unique visual effects. Individual source images can be saved as separate files, and the HDR mode has an optional automatic alignment function that can be useful for hand-held shooting. The EOS 5D Mark III’s standard Auto Exposure Bracketing function has been upgraded to allow for up to seven exposures per sequence, and exposure compensation can now be set for up to +/- 5EV.

    Multiple Exposure Mode
    The EOS 5D Mark III is the second EOS Digital SLR after the EOS-1D X to feature Multiple Exposure capabilities with the ability to combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera’s LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS 5D Mark III camera’s Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image, or shoot continuously when photographing moving subjects.

    Comparative Playback
    A new feature seen for the first time in the EOS System on the 5D Mark III is Comparative Playback allowing photographers to display two images side by side on the camera’s 3.2-inch LCD screen. The images can be displayed with a histogram to check exposure levels, or magnified to check for focus or facial expressions.

    Durability, Reliability and Other Features
    The EOS 5D Mark III features a rugged camera body with magnesium alloy body covers and a stainless steel lens mount. The new camera also has dust- and moisture-resistant design with improved gaskets and seals. Although not quite as weatherproof as an EOS-1D-series camera, the EOS 5D Mark III does feature improved weather resistance over the EOS 5D Mark II model. The EOS 5D Mark III’s newly developed shutter unit has a durability rating of 150,000 exposures, and shutter release lag time has been reduced to 59 milliseconds, making the shutter button very responsive. Canon’s locking mode dial is standard on the new model and a new custom function allows photographers to shut off other dials to prevent inadvertent operation.

    The EOS 5D Mark III uses the same LP-E6 lithium-ion battery pack as other popular EOS cameras like the 5D Mark II, 7D and 60D. Battery life is estimated at 950 exposures at normal temperatures, an improvement of 100 exposures more than the EOS 5D Mark II. The EOS 5D Mark III body weighs approximately 33.5 oz. with a battery installed, and the dimensions are approximately 6.0 x 4.6 x 3.0 inches.

    The EOS 5D Mark III incorporates Silent shooting modes, available for low-speed continuous shooting as well as single exposures. This feature is ideal when photographing in quiet environments. For better file management especially when working with multiple cameras, the new model also supports custom file names. There is also a new image rating feature that lets photographers rank their photos from 1 to 5 stars for quick editing.

    The EOS 5D Mark III features a 3.2-inch Clear View II LCD screen with 1,040,000 dot resolution. This is the same screen that’s used in the top-of-the-line EOS-1D X. The camera’s optical viewfinder has been upgraded to approximately 100 percent coverage, and it features an Intelligent Viewfinder display with an optional grid on demand. The EOS 5D Mark III also has a built-in Dual Axis Electronic Level that can be displayed on both the LCD screen and the optical viewfinder.

    The EOS 5D Mark III accepts both Compact Flash Type 1 and SD/SDHC/SDXC memory cards in a dual card slot configuration. Three recording methods are supported: Record the same data to both cards, record different file sizes or types to each card, or automatically switch to the second card when the first card is full.

    Accessories
    The EOS 5D Mark III DSLR also has a number of new optional accessories, including the new Canon Wireless File Transmitter WFT-E7A featuring wireless LAN support for 802.11 a/b/g/n signal protocols for various network environments. The WFT-E7A connects to the camera through its USB port and includes a built-in gigabit Ethernet connection, time syncing for multiple cameras on the same network, FTP mode, EOS Utility mode, WFT Server mode and Media Server mode. With this new WFT model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras. In addition, Bluetooth-compatible equipment can be easily linked to the device as well.

    The EOS 5D Mark III also has an optional Canon GPS Receiver GP-E2, which can be connected to the camera via the accessory shoe or a USB cable. With a GPS logging function built-in, the GP-E2 will log latitude, longitude, elevation, and the Universal Time Code – and allow viewing of camera movement on a PC after shooting. With its built-in compass, the GP-E2 receiver will also record camera direction when shooting, even when shooting vertically. The Canon GPS Receiver GP-E2 is compatible with the EOS-1D X and EOS 7D as well as the EOS 5D Mark III.

    Battery Grip BG-E11 is an optional accessory for the EOS 5D Mark III that accepts one or two LP-E6 lithium-ion battery packs or a set of six AA-size batteries. This new grip has a multicontroller and a multifunction (M.Fn) button together a with a full set of grip controls for easy operation when shooting portraits or other vertical format photos. The BG-E11 is made from sturdy magnesium alloy and has the same degree of weather resistance as the EOS 5D Mark III.

    Speedlite 600EX-RT
    In addition to the EOS 5D Mark III, Canon is also announcing the first professional Speedlite on the market with a built-in wireless radio transmitter, the new Speedlite 600EX-RT. The new Canon Speedlite 600EX-RT is the flagship model in the Speedlite line, ideal for wedding portrait and photojournalism. Compatible with all EOS Digital SLRs, this new model eliminates the need for accessory radio slave units and their inherent limitations. Speedlite 600EX-RT features Master-Slave two-way transmission, letting the photographer control the Speedlite settings directly from the “Master” camera.

    Radio-based Wireless E-TTL can be performed with up to 15 Speedlite 600EX-RT “slave units”, used off-camera up to 98.4 feet (30m) away, and triggered by either a “Master” 600EX-RT on-camera, or the optional new Speedlite Transmitter ST-E3-RT. Used with the EOS 5D Mark III or EOS-1D X, up to five groups of flashes can be completely controlled, independently, off-camera. And, it remains fully compatible with Canon’s legacy optical-based Wireless E-TTL technology, for users already committed to existing EOS Speedlites. The Speedlite features enhanced weather-resistant construction – matching that of the EOS-1D X camera body – and a more reliable electrical contact. The flash head zoom range now reaches from 20mm to 200mm.The Speedlite also allows remote shutter release of a single EOS camera, or Linked Shooting (simultaneous firing of up to 15 cameras, when one “Master” camera is fired), and includes gelatin filters and a dedicated filter holder to help photographers match ambient light.

    Speedlite Transmitter ST-E3-RT
    Canon is also introducing the new Speedlite Transmitter ST-E3-RT. Providing full support of Canon’s new radio-based wireless flash technology, the new ST-E3-RT can control up to five groups of flashes, up to 98.4 feet (30m) from the camera. The remote shutter release capability enables photographers to either fire a single camera remotely (by pressing a button on the ST-E3-RT), or to fire up to 15 EOS cameras with Canon’s Linked Shooting feature. Making it easy to control and adjust, all of the Speedlite Transmitter features are accessible through the Flash control menu of the EOS-1D X and EOS 5D Mark III cameras.

    Pricing and Availability
    The Canon EOS 5D Mark III Digital SLR camera is expected to be available at the end of March 2012 and will be sold in a body-only configuration at an estimated retail price of $3,499.00. The EOS 5D Mark III will also be available with the EF24-105mm f/4L IS USM zoom lens in a kit for an estimated retail price of $4,299.00. The Wireless File Transmitter WFT-E7A is scheduled to be available by the end of April 2012 at an estimated retail price of $849.99. Availability for GPS Receiver GP-E2 is expected by the end of April 2012, with an estimated retail price of $390.00.Battery Grip BG-E11 is scheduled to be available at the end of April 2012 for an estimated retail price of $490.00. The Speedlite 600EX-RT and Speedlite Transmitter ST-E3-RT are also scheduled for end of March 2012 availability at estimated retail prices of $629.99 and $470.00 respectively.

    About Canon U.S.A., Inc.
    Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With $45.6 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in patent holdings in the U.S. in 2011† and is one of Fortune Magazine’s World’s Most Admired Companies in 2011. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.

    ###

    †Based on weekly patent counts issued by United States Patent and Trademark Office.

    All referenced product names, and other marks, are trademarks of their respective owners.

    Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers
    and may vary.

    [/toggle]

  • Panasonic Launches the DMC GX1 Micro-four Thirds Systems camera

    Panasonic Launches the DMC GX1 Micro-four Thirds Systems camera

    Panasonic’s foray into Micro 4/3 system cameras has got them the fame they were looking for, but that does not mean they are stopping anytime soon. The company has just released the new DMC GX1 Micro 4/3 camera, which features a new revamped 16 megapixel ILC that includes a Live MOS sensor and Venus engine. It also has a maximum ISO of 12,800 which seems high enough. Like other cameras these are also compatible with all micro 4/3 lenses from various manufacturers. 

    The Company says that the GX1 brings the build from the original GF1 and the robustness, the GF2 and GF3 failed to deliver. The cameras will be available in the last week of December and are expected to hit India by February 2012. Expect the price to be upwards of the 52k mark.

    [toggle title_open=”Press Release” title_closed=”Press Release” hide=”yes” border=”yes” style=”default” excerpt_length=”0″ read_more_text=”Read More” read_less_text=”Read Less” include_excerpt_html=”no”]PANASONIC ANNOUNCES NEWEST COMPACT SYSTEM CAMERA, LUMIX GX1 EXCELS IN SPEED, IMAGE QUALITY AND SIZE

    The LUMIX GX1 Finds the Perfect Balance of Size and Performance – Making it the Ideal ‘Everyday’ Digital Camera for Professionals and Photo Enthusiasts Alike

    SECAUCUS, NJ (November 7, 2011) – Panasonic today announces its latest Compact System Camera (CSC), the LUMIX DMC-GX1, which joins Panasonic’s award-winning LUMIX G Series of digital cameras, which are acclaimed for their high image quality with small and compact body and lenses. The new LUMIX GX1 features a 16.01-megapixel Live MOS sensor and Venus Engine, helping to ensure real-to-life images through excellent resolution, image rendering and color reproduction. Even in low-light situations and at maximum 12800 high ISO sensitivity, the LUMIX GX1 can produce stunning photos and videos, and because of its compact size it can be easily carried for daily use.

    “Panasonic expects the LUMIX GX1 to please a lot of photo enthusiasts who have been eager for a technology upgrade comparable to the LUMIX DMC-GF1, which continues to be a very popular digital camera with dedicated followers who appreciate the compact size, yet high quality of photos and video,” said Darin Pepple, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “The LUMIX GX1 is an extremely flexible and capable digital camera with fast AF speeds and outstanding image quality. Plus with a built-in flash and a hot shoe allowing for accessories like an external view finder, the GX1 is a powerful compact system camera that is small enough to be a photographer’s everyday camera choice.”

    The LUMIX GX1, like all the models in Panasonic’s LUMIX G Series of CSC, adopts Contrast AF for its focus system, so focusing is controlled by the image sensor. When compared with the Phase difference system AF, Contrast AF achieves higher accuracy especially when shooting with a bright lens with small F value. For instance, the accuracy of Contrast AF is approximately 90% while Phase difference AF is approximately 60% at F1.4. Additionally, with the precise Contrast AF system, the LUMIX GX1 achieves high resolution through an optimal balance of resolution and noise reduction, thus producing lifelike image rendering and highly precise Auto Exposure and white balance. To further advance the Contrast AF, the LUMIX GX1?incorporates full-area focusing, making it possible to set focus on any point in the field of view. With the LUMIX GX1’s 3.0-inch touch LCD screen, frame composition is intuitive and easy.

    The LUMIX GX1 features an ultra high-speed Light Speed AF*, which means it can Auto Focus in approximately 0.09 second. This is achieved by reducing the detection time for focusing by the synchronizing the lens and sensor at 120 fps. Plus, the newly-added focus mode AFF (AF Flexible) locks on the focus when the shutter button is half-pressed, however, if the subject moves, the focusing is reset to get the best results. Combined with the Touch AF control, setting and focusing on the subject is incredibly easy and quick.

    The touch-control system of the LUMIX GX1 lets users set the focus on the subject by simply touching it on the large, 460,000-dot wide-viewing angle LCD. Users can even release the shutter by touching the screen. Once locked on the subject with a touch, the LUMIX GX1 tracks the subject, even when it moves, using the AF tracking function. With a touch on the screen, users can select the part and the size of the AF area, choosing from 1-area AF, Multi-area AF with 23 AF areas and Pinpoint AF, which allows extremely precise focus setting.

    Despite its compact size, the LUMIX GX1 is extremely intuitive to operate, with an optimized layout of control buttons, a mode dial and dedicated function buttons. Users can customize the two external buttons and two menus tabs to settings they most frequently use so they are easily accessible. In addition, a total of four custom setting patterns can be stored to the camera’s model dial – one on ‘C1’ and three on ‘C2.’ Furthermore, the LUMIX GX1 was designed to enhance its ergonomics, with a grip that fits naturally and comfortably in the hand, despite its flat profile and compact design. Plus, the LUMIX GX1 has a more tactile texture and the mode dial is easy to turn and features print that is easy to read and won’t easily wear.

    The LUMIX GX1 can record 1920 x 1080 at 60i, with sensor output of 30p, full-High Definition videos in the AVCHD format which excels in both compression efficiency and compatibility with AV equipment for playback. In addition to the practical full-time AF, the Touch AF in video recording also lets users enjoy professional-like rack focusing. Just by pointing at the subject, the focus is shifted so it stands out. With a dedicated video record button on the top, users can instantly start recording videos while shooting photos without any having to make any extra setting adjustments. Along with the full-HD video capabilities, the LUMIX GX1 also features high-quality sound, recorded with Dolby® Digital Stereo Creator. Videos can also be recorded in MP4 format for playback on a PC or other portable electronic devices without having to convert the files.

    Other features of the new Panasonic LUMIX GX1 compact system camera include:

    • A new Level Gauge, which lets the camera detect the horizontal/vertical angle of view with its internal level working with the sensor. In addition, photos shot in portrait aspect will be automatically displayed vertically, regardless of which lens is used.

    • One Push AE adjusts exposure with a single press of the “Fn” (Function) button when it is over/under exposed, which is especially useful when shooting outdoors with open aperture or indoors with fast shutter speed.?

    • Dust Reduction System helps to eliminate dust or foreign matter getting inside the LUMIX GX1 when lenses are being changed. By placing a supersonic wave filter in front of the Live MOS sensor that vibrates vertically around 50,000 times per second, the filter repels dust and other particles effectively.

    • Zoom operation can be controlled with touch control when either of Panasonic’s new LUMIX X Power Zoom lenses are attached. And the zoom speed can also be adjusted in two steps for more precise control.

    • Popular iA and iA Plus modes for beginners looking for automatic shooting in both still and video modes.

    • Increased energy consumption and an approximately 11%** longer battery life when compared to the LUMIX DMC-G3, which also uses the same battery pack DMW-BLD10.

    The LUMIX G Series is a robust system of bodies and lenses, featuring a total of 14 Micro Four Thirds lenses including the new power zoom X lens – standard zoom lens, telephoto zoom lens, single focal length lens, wide-angle lens, fish-eye lens, macro lens, and even a 3D lens – to fit a variety of shooting scenarios and occasions.

    The Micro Four Thirds System products are joining today’s Four Thirds System products to provide customers with even higher levels of performance in a digital interchangeable lens camera. In addition to LUMIX G lenses, the LUMIX DMC-GX1 can use any interchangeable lens that complies with the Four Thirds System standard via an optional mount adapter for the unlimited number of lens properties. The LUMIX GX1 system camera offers a wide variety of options to choose from to match every shooting situation and shooting style, including: external flashes, PL filters, ND filters, MC protectors, remote shutter, zoom level, battery packs, AC adaptor, DC coupler, straps, cases, bags and more. Plus, with the LUMIX GX1’s hot shoe on the top, users can attach the optional tilt-shift Live View Finder (DMW-LVF2), with approximately 1.4x and 1,440,000-dot equivalent, 100% field of view.

    The Panasonic LUMIX DMC-GX1 will be available in black and silver bodies in mid-December and in the following kit options: DMC-GX1-X with the LUMIX G X VARIO PZ 14-42mm / F3.5-5.6 ASPH. / POWER O.I.S (H-PS14042) lens will have a suggested retail price (SRP) of $949.99; the DMC-GX1-K with the 14-42 standard zoom for an SRP of $799.99; and the DMC-GX1, body only for an SRP of $699.99.[/toggle]

  • Canon launches full frame C300 cinema camera

    Canon launches full frame C300 cinema camera

    If you wanted to be a movies man and had a chunk of US$20000 to spend where, would you go? Look no further , Cannon has launched the new C300 Cinema camera to take on the likes of RED Epic and Alexa. The camera features EF or PL mount, 1080p capture, a pair of CF card slots, timecode and HD-SDI output.

    It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with Canon’s new “top-end” EF zoom lenses : two 14.5-60mm lenses and two 30-300mm.with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens. Read the press release below for the full low down.

     

    [toggle title_open=”Press Release” title_closed=”Press Release” hide=”yes” border=”yes” style=”default” excerpt_length=”0″ read_more_text=”Read More” read_less_text=”Read Less” include_excerpt_html=”no”]A Star Is Born: Canon Launches New Digital Cinema Camera For High-Resolution Motion Picture Production

    HOLLYWOOD, California, November 3, 2011/TOKYO, November 4, 2011 – Canon Inc. and Canon U.S.A., Inc. today raised the curtain on an all-new interchangeable-lens digital cinema camera that combines exceptional imaging performance with outstanding mobility and expandability to meet the demanding production needs of today’s motion picture industry. The camera, which features a newly developed Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor, will be available in two models: the EOS C300 Digital Cinema Camera*, equipped with an EF lens mount for compatibility with Canon’s current diverse lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras and new EF Cinema Lens lineup; and the EOS C300 PL Digital Cinema Camera*, with a PL lens mount for use with industry-standard PL lenses.

    The introduction of the EOS C300/C300 PL coincides with the launch of the Cinema EOS System, marking Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital cinema camera and digital SLR camera product categories.

    Star-Studded Supporting Cast
    Equipped with an EF lens mount, the EOS C300 is supported by an all-star cast of high-performance EF lenses, not only the wide array of interchangeable EF lenses for EOS SLR cameras that have earned the trust and respect of photographers around the world, but also the EF cinema lenses in the newly announced Cinema EOS System. When outfitted with a Canon EF lens, the C300’s peripheral illumination correction automatically corrects for vignetting in accordance with each lens’s optical characteristics, and enables iris control from the camera. Canon EF lenses also enable the recording of such metadata as the name of the lens used, aperture setting and shutter speed.i

    Show-Stopping High-Resolution Full-HD Performance
    The Canon EOS C300/C300 PL’s newly developed Super 35 mm-equivalent CMOS sensor incorporates approximately 8.29 million effective pixels and has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The sensor reads Full HD (1920 x 1080 pixels) video signals for each of the three RGB primary colors, decreasing the incidence of moiré while realizing high resolution with 1,000 horizontal TV lines.

    Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted. Additionally, the powerful combination of the sensor with Canon’s high-performance DIGIC DV III image processor facilitates high-precision gamma processing and smooth gradation expression.

    In addition to MPEG-2 Full HD (MPEG2 422@HL compliant) compression, the EOS C300/C300 PL employs 4:2:2 color sampling for high-resolution performance that minimizes the appearance of “jaggies” at chroma edges. Additionally, with a maximum recording rate of 50 Mbps, the camera supports the recording of high-quality video.

    The camera’s video and audio recording file format adopts the industry-standard MXF (Material eXchange Format), an open source file format ideally suited for non-linear editing systems. Recording to versatile, readily available CF cards, the EOS C300/C300 PL realizes high cost-performance and, equipped with two CF card slots, makes possible the simultaneous recording of video data to two CF cards.

    Ready for Action
    With a compact body design measuring 5.2 (w) x 7.0 (h) x 6.7 (d) inches, the Canon EOS C300/C300 PL delivers exceptional maneuverability, enabling shooting from vantage points all but inaccessible to large cinema cameras, such as close to the ground for high-impact low-angle shots, and alongside walls. In accordance with on-location shooting needs, the camera can be outfitted with a handle, grip, thumb rest and monitor unit, and offers an array of industry-standard terminals, including HD/SD-SDI video output for the external recording of high-quality video content. When using a WFT-E6B wireless file transmitter for EOS digital SLR cameras (sold separately), the EOS C300/C300 PL can be controlled remotely by means of such common devices as smartphones or tablet PCs.

    The camera is equipped with four start/stop buttons positioned at various locations to satisfy any preferred camera-holding style, and can be outfitted with a variety of third-party accessories, including matte boxes, follow focuses and external video and audio recorders. The unit also achieves seamless integration with third-party editing systems and provides added peace of mind through its dust-proof, drip-proof construction and built-in cooling system.

    The new camera allows users to adjust image quality to match that of professional camcorders and EOS-series digital SLR cameras, and offers Canon Log Gamma, enabling flat image quality with subdued contrast and sharpness for maximum freedom in post-production editing and processing. In addition to frame rates of 59.41i, 50.00i, 29.97P, 25.00P and 23.98P, the EOS C300/C300 PL features a 24.00p mode, matching the 24 frame-per-second frame rate of film cameras for high compatibility with common film-production workflows.

    Other features include fast-motion shooting, achieved by capturing fewer frames per second to create action up to 60x normal speed, and slow-motion down to 1/2.5xii made possible by capturing more frames per second. Frame rates between 1 and 60 frames per second (fps)iii can be adjusted in increments of 1 fps. Additionally, a selection of Custom Pictures lets users freely adjust image quality for greater control over how content looks.

    Pricing and availability
    The Canon EOS C300 (EF mount) digital cinema camera is scheduled to be available in late January 2012 for an estimated list price of $20,000. The Canon EOS C300 PL (PL mount) digital cinema camera is scheduled to be available in late March 2012 for an estimated list price of $20,000.

    For more information and to view online demonstration footage of the new products please visit: www.canoncinemaeos.com

    About Canon Inc.
    Canon Inc. (NYSE: CAJ), headquartered in Tokyo, Japan, is a leader in the fields of professional and consumer imaging equipment and information systems. Canon’s extensive range of products includes copying machines, inkjet and laser printers, cameras, video equipment, medical equipment and semiconductor-manufacturing equipment. Originally established in 1937 as Precision Optical Industry, Co., Ltd., a camera manufacturer, Canon has successfully diversified and globalized to become a worldwide industry leader in professional and consumer imaging systems and solutions. With over 195,000 employees worldwide, Canon has manufacturing and marketing subsidiaries in Japan, the Americas, Europe, Asia and Oceania; and a global R&D network with companies based in the United States, Europe, Asia and Australia. Canon’s consolidated net sales for fiscal 2010 (ended December 31, 2010) totalled $45.8 billion (at an exchange rate of ¥81 = US$1). Visit the Canon Inc. website at: www.canon.com

    About Canon U.S.A., Inc.
    Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With more than $45 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks fourth overall in patent holdings in the U.S. in 2010†, and is one of Fortune Magazine’s World’s Most Admired Companies in 2011. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.[/toggle]

  • Samsung Launches the NX200 with 20.3 Megapixels, Full HD video and changeable lenses (PR)

    Samsung Launches the NX200 with 20.3 Megapixels, Full HD video and changeable lenses (PR)

    Samsung has just upped the Micro-Four third market with the NX200, its the first 20 Megapixel Micro Four-thirds system camera. Specs include

    • 20.3 megapixel 
    • Interchangeable lens system 
    • APS-C CMOS sensor
    • High-speed continuous mode- 7fps 
    • Full HD video recording, 1920×1080 at 30p
    • ISO range, from 100 to 12800
    • Price $900 with an 18mm-55mm zoom lens and on-camera flash 
    • INR 45000/-
    [toggle title_open=”Press Release” title_closed=”Press Release” hide=”no” border=”yes” style=”default” excerpt_length=”0″ read_more_text=”Read More” read_less_text=”Read Less” include_excerpt_html=”no”]Premium Style Meets Professional Performance with the Samsung NX200 Interchangeable Lens Camera

    Capture memorable images in the best picture quality, with the Samsung NX200

    IFA – BERLIN, Germany – September 1, 2011 – Samsung Electronics Co., Ltd, a global leader in digital media and digital convergence technologies, today announced the launch of the NX200. The new compact system camera delivers professional image quality with ease of use that lets users unleash their creativity. The NX200 includes a 20.3 Megapixel APS-C CMOS sensor and other premium features such as high-speed continuous shooting (7fps (max) with 100ms Advanced Auto Focus), wide range ISO (100-12,800), Full HD movie recording, and Samsung’s unique i-Function lens. With exceptional performance and functionality built into a compact metallic form factor in the NX200, users no longer have to trade off camera style for image quality.

    The NX200 is the perfect combination of design and professional performance, delivering DSLR image quality in a camera that is compact and easy to use. The camera incorporates a 20.3 Megapixel APS-C CMOS sensor developed in-house by Samsung, ensuring image quality that highlights even the smallest detail and puts performance at the fingertips of all photographers. To allow for high-speed continuous shooting, the NX200 features 100ms Advanced AF. Thanks to the fast start-up time and seven fps continuous shooting, it’s the perfect way to capture that split-second action in an instant. Additionally, users will never miss a moment, with the ability to move from shot to shot in only 400ms.

    The camera’s wide range ISO (100-12800, covering seven stops) gives life-like color and sharp details, even in dark environments or when capturing still images of moving objects.

    To capture movement on video, the NX200 also features 1920×1080/30p (H.264) HD movie recording for exciting and vivid video with stereo sound. All this is incorporated into a compact and sleek body with a premium metal design, light enough to be carried in a jacket pocket and stylish enough that anyone will be proud to be seen with this camera.

    The NX200 also enables state-of-the-art usability through Samsung’s i-Function 2.0 lenses, which allow users to control a range of parameters from the lens without having to take their eye off the shot. The NX200 is fully compatible with the wide range of nine different i-Function lenses which enable toggling between shutter speed, aperture, exposure value (EV), white balance (WB), and ISO quickly and easily through the button and ring on the lens. With the upgraded i-Function 2.0 on the NX200, users can also control six different Smart Filters and the intelli-Zoom function from the lens while in Lens Priority Mode. New lenses for the i-Function system include 18-200mm, 16mm, 60mm and 85mm focal lengths.

    “With the NX line, we have pioneered the compact system camera to allow any user to get the results that they’ve always wanted from their pictures without complicated controls or the need to carry heavy, clunky equipment,” said Mr. Myoung Sup Han, Senior Vice President and Head of the Digital Imaging Business, Samsung Electronics. “The NX200 is the next step in providing the ambitious photographer with first-class picture quality through the combination of professional-standard features such as a 20.3 Megapixel APS-C CMOS sensor, high speed capture, wide-range ISO and HD movie capabilities. With technology like this built into a stylish and compact body, the NX200 is the ultimate tool for achieving professional quality in a compact camera. The NX200 represents Samsung’s continued commitment to lead the way in producing cutting-edge technology that fits the needs and knowledge of the consumer, proving photography does not need to be complicated in order to deliver great results every time.”

    Effortless creativity
    One of the key ways in which Samsung’s NX200 stands out is by making it easy for users to realize their own creativity through a range of fun and easy-to-use features and settings. The camera features ten different Smart Filter effects, six of which can be easily accessed through the i-Function lens, allowing the user to capture a uniquely creative image of their subject without having to take their eye off it to change the filter. The new NX200 also includes Magic Frame technology, which enables the user to encapsulate their pictures with thirteen different stylized frames, from magazine covers to holiday themes for fun photos to share with family and friends.

    Professional standards made simple
    With its Smart Panel feature, the NX200 makes taking pictures simple and fuss-free, even for first-time users. The high-quality images captured can be viewed in brilliant quality on the 3.0″ VGA AMOLED display. The camera’s Smart Panel also offers intuitive control thanks to a Hot Key button that enables users to switch to key functions without the need to scroll through confusing menus to get to the desired shot.

    Expanding horizons
    The NX200 enables users to capture even more from their experiences by using exciting new features and cutting-edge Samsung technology. The new Panorama function means that users can take lengthened shots of large objects or turn the image into a 3D scene, bringing the object to life. To capture even more of the moment for posterity, Samsung has also added the Sound Picture function to the NX200, so that a snippet of sound can be recorded to accompany a still image to add even more memories to a photograph.

    For more information about the Samsung NX200, visit www.samsung.com/NX

    About Samsung Electronics Co., Ltd.
    Samsung Electronics Co., Ltd. is a global leader in semiconductor, telecommunication, digital media and digital convergence technologies with 2010 consolidated sales of US$135.8 billion. Employing approximately 190,500 people in 206 offices across 68 countries, the company consists of nine independently operated business units: Visual Display, Mobile Communications, Telecommunication Systems, Digital Appliances, IT Solutions, Digital Imaging, Memory, System LSI and LCD. Recognized as one of the fastest growing global brands, Samsung Electronics is a leading producer of digital TVs, semiconductor chips, mobile phones and TFT-LCDs. For more information, please visit www.samsung.com.[/toggle]

  • Olympus PEN E-PM1 Mini Announced for US$ 500 and September launch

    Olympus PEN E-PM1 Mini Announced for US$ 500 and September launch

    Olympus has finally made the PEN E-PM1 Official and that too for a pretty ginormous 500 US $ or about 2500o Indian, including a 14-42mm f/3.5-5.6 kit lens. The company is calling it  “the easiest PEN to use,” yet the Olympus PEN is possibly the most impressive Micro four thirds series camera.

    Specs Include

    • New simpler user interface 
    • 23 Scene-Select modes
    • 3-inch 460k-dot LCD
    • 1080i HD video capture
    • RAW shooting 
    • ISO 12,800
    • Manual, Aperture Priority, and Shutter Priority shooting modes.
    • purple, pink, brown, white, silver, and black color options
     

    [toggle title_open=”Full Press Release” title_closed=”Full Press Release” hide=”no” border=”yes” style=”default” excerpt_length=”0″ read_more_text=”Read More” read_less_text=”Read Less” include_excerpt_html=”no”]

    The World’S Smallest Olympus PEN Is Also The Most Affordable: The PEN E-PM1 Packs Mega Power In A Micro Body For Under $500

    Small, Easy and Stylish Compact System Camera Ships in September and Fulfills the Promise of a Camera with Impressive DSLR Image Quality and HD Video in a Mini Camera Body

    CENTER VALLEY, Pa., August 25, 2011 – The wait is over! Starting next month, the smallest, lightest, and the most portable Olympus PEN camera – the PEN E-PM1 – will be available at the affordable price of $499.99. The Olympus “PEN Mini” comes in six stylish colors (purple, pink, brown, white, silver and black) to suit your personal style. The PEN E-PM1 packs a powerful punch with the same amazing image quality, lightning-fast speed, and 1080i high-definition (HD) video offered by the recently introduced PEN E-P3 and PEN E-PL3.

    The “PEN Mini” is also the easiest PEN to use, with simple controls that enable you to effortlessly access the power of digital photography. A step up from a point- and- shoot camera, the Olympus PEN E-PM1 features a new user interface that takes the guesswork out of capturing the perfect shot. A simple one-touch button enables you shoot HD video. iAuto and scene select modes enable you capture images with ease and speed, and six built-in Art Filters enable you explore your artistic side. The Olympus PEN E-PM1 puts the portability of a point-and-shoot with the performance of a DSLR in the palm of your hands.

    “The Olympus PEN E-PM1 is the ideal camera for those interested in DSLR quality in a compact camera design. It’s fun to use, super powerful, and its small size means it’s the ‘goes anywhere you go’ PEN camera,” said Katie Roseman, senior product manager, Olympus Imaging America Inc. “Whether you’re recording your child blowing out the candles on a birthday cake, capturing an elaborate candle-lit table setting at your favorite restaurant or chronicling a vacation, you will never worry about missing a fun or spontaneous moment with the PEN Mini by your side.”

    EASE OF USE

    Operating the “PEN Mini” is more intuitive with the newly-designed user interface. Popular menu options such as Art Filters, iAuto, Scene Modes, and Movie are immediately available for your selection. On-screen graphics are easy to read on the 3″ LCD and even include a handy pop-up guide to help you understand every setting. The Olympus PEN E-PM1’s Live Guide system allows you to preview effects as you adjust them before the image is even captured. iAuto mode automatically identifies the scene you’re shooting; portrait, landscape, night portrait, macro, or sport and adjusts the settings to optimize results. Choose from 23 Scene-Select modes, including the new 3D mode, Fireworks, Sunset, Children, Macro and Panorama, and more that cover almost any shooting situation. The camera’s three-inch widescreen 460-dot high-resolution LCD is so big and bright it enables you shoot and share photos and HD videos with ease.

    PROFESSIONAL IMAGE QUALITY

    The new 12.3 megapixel sensor is the same size as those used in pro quality DSLRs. Olympus’ in-body image stabilization technology makes it possible to use any compatible lens from wide-angle to telephoto, for perfectly clear, crisp photos no matter what the shooting situation, even in low light. New Face Detection Auto Focus adjusts focus automatically on the subject’s eyes for the best shot every time. You no longer need to worry about subjects appearing too dark against a light background with the PEN E-PM1’s Advanced Shadow Adjustment Technology.

    CREATIVE FREEDOM

    Shoot up to 29 minutes of full 1080i HD video with Dolby Digital stereo sound using the direct HD Movie Button. Add more flair to your photos and videos with six in-camera Art Filters (Pop Art, Soft Focus, Grainy Film, Pin Hole, Diorama and Dramatic Tone). Every Art Filter can be used in all shooting modes, including HD movie mode. Art Filters can achieve dramatic results on the go without the need for a computer or editing software, so you can spend more time shooting and less time computing. A variety of interchangeable lenses, accessories and flashes are compatible with the Olympus PEN E-PM1 to support all different photography needs. High-precision engineering and an improved internal focusing mechanism have enabled the Olympus MSC (Movie+Still Compatible) lenses to autofocus quickly, smoothly and silently; perfect for stills and HD movies in stereo with amazing clarity. In any mode, from close up to landscape, 3D technology brings your images to another dimension. The 3D data is processed in-camera for easy display on 3D televisions or laptops.

    LOW-LIGHT PERFORMANCE

    Capture the life of the party with the PEN E-PM1’s super luminosity AF Illuminator LED beam, which allows the camera to focus faster in low-light. Stunning night-time photos are a click away with a maximum sensitivity of 12,800 ISO. Additionally, the “PEN Mini” provides the flexibility of an optional slide-on flash included with camera.

    BLAZING SPEED

    The Olympus PEN E-PM1 offers fast sequential shooting, enabling you to take up to five photos per second. Capture that perfect shot, even when your subject is moving. The new FAST (Frequency Acceleration Sensor Technology) AF System is able to focus at an incredible speed and offers 35 separate focus areas that are spread over nearly the entire sensor, which makes it possible for pin-point accurate focusing on small subjects wherever they appear in the frame. The TruePic VI image processor has been designed specifically for the Olympus PEN series, with two (dual core) processing engines for superb color and clarity.

    AVAILABILITY

    The Olympus PEN E-PM1 kit will be available starting in September 2011. The kit includes the PEN E-PM1 body, MSC M.ZUIKO DIGITAL 14-42mm, FL-LM1 Flash, USB cable, video cable, BLS-1 Li-Ion battery pack, Li-Ion battery charger, shoulder strap, OLYMPUS [ib] software CD-ROM, manuals and registration card.

    U.S. PRICING / PRODUCT CONFIGURATIONS
    Olympus PEN E-PM1 Body with MSC M.ZUIKO DIGITAL ED m14-42mm II R f3.5/5.6 Zoom Street Price: $499.99

    Journalists interested in more information, review units and high-resolution images of the Olympus PEN cameras and PEN lenses and accessories should contact Keith Gordon, Mullen Public Relations, 212-885-3218, [email protected], or Jennifer Colucci, Olympus Imaging America Inc., 484-896-5719, [email protected], or visit the Olympus website: http://www.getolympus.com.

    [/toggle]

  • Canon EOS Rebel T3 / 1100D Now Available in Multiple Colors

    Canon EOS Rebel T3 / 1100D Now Available in Multiple Colors

    Canon has decided to take a smack at the competition, as it becomes the third dSLR manufacturer to offer multiple colors for its dSLR range. Starting with the New EOS 1100D / Rebel T3, the dSLR will now come in colors, apart from the standard black, red, brown, and metallic gray.

    Although the color options are only available in the US (rebel T3) currently, they are expected to hit the 1100D models next month.

    Cannon is also offering a 50$ discount from their online store.

    Specs include

    • EF-S 18-55mm f/3.5-5.6 zoom II lens
    • 12.2 megapixel sensor  720p video (
    • nine-point autofocus system
    • ISO 100 to 6,400
    • 63-zone dual-metering system

    [Canon]

  • Nikon D5100 Unboxing Video,  Hands on Pictures + Samples

    Nikon D5100 Unboxing Video, Hands on Pictures + Samples

    We got the Nikon D5100 to play around with so Check out our full Unboxing Video. Followed by sample shots and product pictures.

     

     

    Product Pictures

     

    Sample Pictures

     

    SPECIFICATION

     

    • DX 16 MP CMOS sensor (1.5x crop factor)
    • Normal ISO 100-6400 * (can be raised to ISO 25 600)
    • 4 fps Burst
    • Full HD 1080p movie, 30 fps, H.264 AVCHD
    • Auto focus while recording video
    • Vari-angle LCD
    • 3-inch 921 thousand pixels resolution
    • Finder cov. 95% with a magnification of 0.78 x
    • Flash sync 1 / 200 sec
    • 11 point AF
    • 420 pixels RGB
    • Quiet shutter mode
    • Bracketing and HDR in camera (not in D3100)
    • EXPEED 2 (14 bit)
  • Canon 600D Rebel T3i Unboxing and Sample Shots

    Canon 600D Rebel T3i Unboxing and Sample Shots

    Check it out guys we got the new Canon 600d / Rebel T3i . Check out the unboxing of the camera below along with sample images at the bottom of this post.

     

    PRODUCT PICTURES

     

     

    SAMPLE PICTURES from The CAMERA

    SPECIFICATIONS

     

    Battery

    • Battery type(s)      Lithium ion
    • Battery Charger    Yes

    Camera

    • Optical sensor   CMOS
    • Light sensitivity  ISO 100, ISO 125, ISO 200, ISO 400, ISO 600, ISO 800, ISO 1000, ISO 1200, ISO 1250, ISO 1600, ISO 2000, ISO 2500, ISO 3200, ISO 5000, ISO 6400
    • Flash type    Built-in
    • Megapixels   18 megapixels
    • LCD display size   3 inch

    Connectivity

    • PC Connection  HDMI

    General

    • Camera Type  Digital SLR
    • Dimensions (H x W x D)   99.5 x 133.1 x 79.7 mm
    • Weight   570 g

    Other

    • Cables   A/V

     

    Still images

    • Still image resolution (max)   5184 x 3456 pixels

    Video

    • Video capture format(s) QuickTime (MOV)
    • Video capture resolution(s)  1920 x 1080 pixels
  • Nikon Launches the D5100 Advanced Beginner DSLR with ME1 external Mic

    Nikon Launches the D5100 Advanced Beginner DSLR with ME1 external Mic

    Nikon has just announced their successor to the famous D5000 DSLR Basic Specs include

    • Full HD video 1920×1080p at 30p
    • 16.2MP sensor
    • New HDR feature
    • New special effects during video (selective colors, miniature effect, etc.)
    • The already mentioned Night Vision option with ISO up to 102400
    • EXPEED 2 processor
    • Standard ISO 100-6400
    • Stereo mic input
    • 4 fps
    • Quiet shutter mode
    • Side swivel LCD screen
    • EN-EL14 battery

    Nikon also announced an External Microphone the ME-1. Specifically designed for D-SLRs, it lets you record movie clips in high-quality stereo sound with no AF-noise.

    READ THE FULL PRESS RELEASE

    The New Nikon D5100: Unleash Your Creativity

    RRP:
    Body Only – £669.99 / €777
    18-55VR Kit – £779.99 / €904

    Sales start date: 21st April 2011 (TBC)

    London, UK, 5 April 2011: Nikon introduces a new D-SLR to its line-up, the D5100, which is packed with features to make shooting stills or full HD movies more exciting than ever. The D5100 will give you a new creative perspective thanks to its improved Vari-angle screen, special effects mode and full (1080p) HD Movie.

    Jordi Brinkman, Product Manager for Nikon Europe, says: “The D5100 is a great camera that allows you to express your artistic side through impressive images and movies. You can shoot with creative effects and unique angles, all at the level of superior image quality seen in the D7000!”

    Unique viewing angles
    The successor to the popular Nikon D5000, the D5100 features an improved Vari-angle LCD screen. The screen now opens horizontally for greater maneuverability, even when using a tripod. This freedom of movement adds unparalleled creativity when using Live View, allowing shooting from virtually any angle. You can also view pictures and movies in more detail on the high resolution (approximately 921k-dot), 7.5 cm (3-in.) wide-viewing angle monitor.

    The Live View function is a simple and intuitive way of taking pictures and with the D5100’s dedicated switch it is even more straight-forward to operate. When using Auto mode you don’t even need to worry about the scene you are shooting, as Scene Auto Selector chooses the most appropriate settings to give you the best image.

    Inspire your creativity
    The D5100 has a newly introduced special effects mode to shoot amazingly unique pictures and full (1080p) HD movies. The range of seven effects include selective colour, where you select up to three colours to appear in the still or movie while other areas are monochrome, and miniature effect, which makes an image appear like a view of miniature scale. You can select which special effect to shoot in and they are directly accessible via the mode dial on the top of the camera.

    Stunning HD movies
    The Nikon D5100 makes it effortless to switch between shooting stills and movies as the D-Movie button is located next to the shutter release. This position gives a more stable grip on the camera when starting or stopping filming, or switching between shooting stills and movies. You can record all the action in full (1080p) HD at 24 / 25 / 30 fps whilst using the unique range of special effects and the AF-F will ensure your subject is always in focus. When you have finished you can use the in-camera-movie editing functions and it can all be viewed on HD television.

    Nikon is also pleased to introduce an optional stereo microphone, the ME-1. Specifically designed for D-SLRs, it lets you record movie clips in high-quality stereo sound with no AF-noise.

    Superior image quality
    The D5100 makes it easy to achieve superior image quality, even in low-light conditions, with features inherited from the D7000. The DX-format 16.2 megapixel CMOS sensor, delivers rich colours and fine detail for both pictures and movies, whilst the powerful image-processing engine, EXPEED 2, maximizes the performance of the sensor for exceptional quality. Adding to this the D5100 has an expanded sensitivity range to further help capture brilliant images in challenging light conditions – the ISO ranges from 100 to 6400 and can be raised to ISO 25600 at Hi 2, for low-noise images that do not lose the details. Furthermore, there are a wide range of NIKKOR lenses which contribute to the D5100’s impressive image quality.

    Nikon’s new High Dynamic Range (HDR) function and Active D-Lighting retain the detail when there are extreme contrasts in light. HDR takes two images at varying exposures in a single release, which are combined to produce a single image with a wider dynamic range.

    Razor-sharp 11-point AutoFocus system
    The 11-point AF system offers fast and precise autofocus coverage across the frame.
    Four AF-area modes, including 3D-tracking AF, keeps your main subject in focus even if the composition changes quickly in action scenes. This can be accompanied with continuous shooting up to 4 fps to really capture fast moving subjects.

    Key features
    Vari-angle LCD monitor: View life at a unique angle with high resolution 921k dot wide-viewing angle screen
    Live View with AF modes: Live View is a straight-forward way of taking pictures and AF modes keep the subject in focus
    Special effects mode: New to the D-SLR range, effects including selective colour and miniature effect for more creative expression when taking stills or movies
    DX-format, 16.2 megapixel CMOS image sensor with EXPEED 2: Inherited from the D7000 for exceptional quality even in poor lighting conditions
    High ISO (100-6400) extendable to Hi 2 (ISO 25600 equivalent): Keeps the detail with low noise in low-light situations
    D-Movie: Full (1080p) HD movies can be taken at up to 30fps. Simple edits can be made in-camera and movies can be watched on HDTV using the HDMI connectivity
    High dynamic range (HDR): Gives detailed shots of high-contrast scenes by combining two shots taken within a single shutter release
    Active D-Lighting: Retains details in highlights and shadows for well balanced images, even if the subject is moving
    Continuous shooting at 4fps: You will not miss that all important fast-moving action shot
    Retouch menu: Gives a range of post editing effects in-camera including movie edits and image resizing
    Picture controls: Lets you set the look and mood of your images before you shoot. Choose from six settings: Standard, Vivid, Neutral, Monochrome, Portrait and Landscape
    Scene modes: Automatically adjusts camera settings, including Picture Controls and Active D-Lighting, for optimal results. Sample photos appear on the display to help select the right mode
    Front and back infrared receivers: ensure maximum usability of the optional ML-L3 remote control when taking self portraits or close-ups
    GPS compatible: Records the exact location of the camera when a picture is taken by using the optional GP-1 unit
    Dual integrated dust reduction system: Image Sensor Cleaning and Airflow Control systems keep dust away from the camera’s image sensor for clear, spot-free images
    Stereo sound: Designed specifically for D-SLRs, Nikon’s optional Stereo Microphone, ME-1, lets you record movie clips in high-quality stereo sound, with no AF noise. Comes with windscreen and soft case accessories.

  • Sony India launches two new DSLR Cameras in INDIA, SLT-A55VL and SLT-A33

    Sony India launches two new DSLR Cameras in INDIA, SLT-A55VL and SLT-A33

    Sony India, Today launched two new full featured Digital SLR cameras. Both the cameras are Interchangeable lens digital camera with built-in flash. The first SLT-A33 Sports a 14.2 Megapixel Exmor CMOS sensor, listed Specs :

    • 14.2 MP Exmor CMOS Sensor
    • 7fps Continuous Shooting with Auto-Focus
    • Quick AF Full HD Movie Recording
    • Quick AF Live View
    • 3D Sweep Panorama
    • Included with versatile SAL1855 all-purpose lens

    Priced at Rs. 37,990/-



    The Second Is the SLT- A55VL which is slightly faster and a better performer with:

    • 16.2 MP Exmor CMOS Sensor
    • 10fps Continuous Shooting with Auto-Focus
    • Quick AF Full HD Movie Recording
    • Quick AF Live View
    • 3D Sweep Panorama
    • Included with versatile SAL1855 all-purpose lens

    Priced at Rs. 47,990/-


    Both come with a single lens kit, and are available at your nearest SONY dealers.

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